You are not to take for yourselves any graven images. ![]() Ashah leka has the idea of taking something unto yourself. “Thou shalt not make…” The word make in Hebrew is ashah which is followed by the word leka which means to you. Why were they hypocrites? I read something very interesting in Jewish literature about the second commandment. Note in verse 18, Jesus calls them hypocrites. I heard preachers and teachers say that Jesus’s response was clever but they never explained why it was clever, at least to me it didn’t seem clever, he just as well have said: “Pay the taxes.” It sounded to me like His enemies had Him right where they wanted Him. I mean he basically said that it was ok to pay the taxes ie., just pay with Roman money and not the coins issued by the temple. What baffled me is how did Jesus response of : “Render unto Caesar that which is Caesar and to God that which is God” really embarrass the Pharisees and Herodians. If Jesus said “no” and agreed with the teachings of the Tradition of the Fathers the Roman government would arrest him for treason. Paying tax to a foreign government was consider paying a tithe to the government forbidden not by Mosaic law but by the Traditions of the Fathers which later became the Talmud, which was not considered to be inspired, but authoritative and to violate the teachings of the Tradition of the Fathers was a chargeable offense to be heard before the religious court or Sanhedrin. If He said “yes” the Jewish leaders would take a hard line with him for supporting a pagan government and probably bring Him before the Sanhedrin as a law breaker. ![]() The Pharisees and Herodians really thought they had Jesus trapped when they asked Him about paying taxes. The saith he unto them “Render unto Caesars the things which are Caesars and unto God the things that are God’s.” Until I started to study the Jewish Talmud, I never really understood this passage in Matthew 22:20: 21. HEBREW WORD STUDY – GRAVEN IMAGE – PESEL lsp Pei Sade Lamed Exodus 20:4: “Thou shalt not make unto thee any graven image in the likeness that is in heaven above or in the earth beneath, or that is in the water under the sea.” Matthew 22:20-21: “And He said unto them, whose is this image and superscription? They say unto Him, Caesars.
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ĭeepwater Horizon was the second semi-submersible rig constructed of a class of two, although Deepwater Nautilus, its predecessor, is not dynamically positioned. model type), deepwater, dynamically positioned, column-stabilized, semi-submersible mobile offshore drilling unit, designed to drill subsea wells for oil exploration and production using an 18.75 in (476 mm), 15,000 psi (100,000 kPa) blowout preventer, and a 21 in (530 mm) outside diameter marine riser. ĭeepwater Horizon was a fifth-generation, RBS-8D design (i.e. In September 2009, the rig drilled the deepest oil well in history at a vertical depth of 35,050 ft (10,683 m) and measured depth of 35,055 ft (10,685 m) in the Tiber Oil Field at Keathley Canyon block 102, approximately 250 miles (400 km) southeast of Houston, in 4,132 feet (1,259 m) of water. īuilt in 2001 in South Korea by Hyundai Heavy Industries, the rig was commissioned by R&B Falcon (a later asset of Transocean), registered in Majuro, and leased to BP from 2001 until September 2013. The fire was inextinguishable and, two days later, on 22 April, the Horizon sank, leaving the well gushing at the seabed and causing the largest marine oil spill in history. ![]() On 20 April 2010, while drilling at the Macondo Prospect, a blowout caused an explosion on the rig that killed 11 crewmen and ignited a fireball visible from 40 miles (64 km) away.
![]() “At the time creating a computer game that was heavily story-driven was done by using static images and a lot of text. The caption was tired, predictable, like a wanna-be comedian vomited on the page. And this is where the character of Tex Murphy was born, a gumshoe moulded in the fashion of Humphrey Bogart, ripped from the pages of a Raymond Chandler novel or screenplay. This was a passion shared by a few employees at Access Software, who in a time long before YouTube or even computer editing, would create short films as a way to unwind. STORY FIRST… THEN LIGHTS, CAMERA, ACTIONChris Jones, the creative force behind Tex Murphy, and in fact, the actor who would play the character, grew up as a lover of film, especially those coming from classic Hollywood. No, it was also born from combining a passion for homemade movies with a day job of making games. But the road to Under a Killing Moon, which goes so far as to label itself an Interactive Movie, through the heavy use of full-motion video (FMV), real actors, and digitised sets, was not simply born from new technology. They aren’t timeless, yet they are still presented using some of the most advanced gaming technologies of their day. This is an important part of all Tex Murphy games. But a few short years after Mean Streets was released, the name Sound Blaster made its low quality sound feel obsolete, or at the very least outdated. That may sound confusing or purposely obtuse but the way that works is that in 1989 RealSound was ground-breaking and on the cutting edge. Although storage space limitations at the time meant that this was limited to a few lines of dialogue and one catchy, if overused, musical cue, it laid the groundwork for a series that was always ahead of its time whilst still strangely being a product purely of its time. RealSound, the technology created by Access Software in the ‘80s was utilised heavily in the very first Tex Murphy game, 1989’s Mean Streets. WHAT’S UP, TEX?So what does all this sound-tech-jumbo have to do with Tex Murphy? I’m glad you asked, as the story behind each Tex Murphy game is intrinsically linked to era-specific technology. But what if there was a way to connect one of these PCs to a stereo? Again, limitation breeds ingenuity, so by stripping a standard RCA cable and putting two Alligator Clips on one side, one connected to the PC speaker terminal, the other to the PC case itself, the end result was digitised sound in the ‘80s, early ‘90s-style. The only catch was that most PC Speakers of the day were internal and tiny, and weren’t designed to carry more than a high-pitched tone from the PC to the user. Created by Access Software and called RealSound, it allowed 6-Bit audio to be played directly from a PC Speaker without using up too much processor speed. But limitation breeds ingenuity, and one developer came up with a way to get digitised sound out of a beep-happy PC Speaker without the need for separate hardware. And it wasn’t a case of gamers in the ‘80s marvelling at the different beeps and bloops that were coming out of their PC either even they knew it was bad. That’s because the PC Speaker (R.I.P.) was this thing whose official use was limited to beeping in varying tones to let users know that their machine was either turning on or that they’ve been holding down the Enter key for way too long. And by using the internal PC Speaker found inside all IBM compatible machines, the end results were primitive to say the least. ![]() But this didn’t stop developers from trying their best to get both sound and music into their games. All of which explains why it wasn’t until the early ‘90s that sound cards became a staple part of what made up a PC. Sounds expensive… not to mention a hassle. So that’s some kind of Inception-style computer within a computer scenario. If you wanted quality sound out of a computer at that time, well, you’d pretty much need the power of an additional computer, such were the limitations of processor technology. READ HISTORY BOOKIn the ‘80s, digitised sound bearing the crisp quality one would associate with their cassette-tape boom box was something that wasn’t possible in the home computer market. ![]() These infrequent sponsored emails help us to provide our Xpresso newsletter for free. IMPORTANT: You must Quit and Restart Visual Studio for Mac. mpack file you downloaded in step 2 above. Navigate to Visual Studio > Extensions Click the Install from file button in the lower left-hand corner. Follow the links in the newletter footer.Īdditional Opt-In Content From Architosh.Įmails on relevant new technologies and special offers just for Xpresso readers, only from our trusted partners. Launch Visual Studio for Mac if it not already open. It is easy to unsubscribe at any time.For more information read our privacy policy.Architosh will never pass any of your information onto third parties.Rhino 7 Crack is the worlds most versatile 3D modeling software that allows. Sign up for our first class and receive the 99 promotional price. Please join us and help shape the future of Rhino 5 for Mac training. Also were rewritten some features and renovated workflows that needed fundamental overhauls to make them truly productive.Interests AI / ML (artificial intelligence / machine learning in AEC or Manufacturing) AEC Industry CAD or BIM Architecture Visualization CAE / FEA and Simulation Technologies Computational or Algorithmic-aided design (AAD) CDEs or Cloud-based Project Management Technology Drones and 3D Laser Scanning and Measurement Systems MCAD and PLM Process and Plant CAD/BIM Robotics in AEC or Manufacturing VR / AR / MR Immersive Technologies dmg Download Roll20 Higher Lvl Cast Dmg Niresh Mac Os X Mavericks 10. 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(It’s cool / supercool) Someone “pura paja” uploads the level being someone who promises something and never accomplish: “Qué mae más pura paja” (That dude is bullshit)Īlso it can be interpreted as chatting about trivial things, “nos quedamos hablando paja” (We were just chatting).Ĭhivo and chiva”! These words can mean many different things to the Ticos besides to the male and female goat. Hablar Paja / Literally: “to speak hay”Īlthough in other countries could be misinterpreted in Costa Rica someone “pajoso” (containing hay, bullshit) is whom always says lies or talks nonsense: “Qué hablada de paja” / “Deje de hablar paja” (What a bunch of bullshit / Stop talking bullshit). Keep these handy and talk like a local!ġ0. From ways to say hello, to words that can fit in almost all situations, or phrases with unique meaning when said by a tico… That’s our “tico talk”! This is our top 10 of words and phrases that are common to locals that tend to be quite confusing for visitors, and forces them to ask their meanings. So savor that “chuche” at a Tico restaurant, be sure to bring a “chunche” on your zipline adventure and carry a “chunche” as you explore rainforest waterfalls.Every country has its slang, and Costa Rica is no exception. "Chunche" Explains it All: One of the most useful slang words to know, "chunche" is a "thing" that is used to refer to almost anything. The multi-faceted word is used as a filler to mean "well," "hey," or "clearly," also to express doubt, or confusion akin to “what happened?” ![]() Why “ Diay?”: You almost can't go wrong dropping a "diay". It's used to ask "really?" and "seriously?" or to affirm the same. Idiomatic Fillers for FunĪre You "al Chile?": Tico's most likely aren't referring to the country when they say, "Al chile". ![]() I Need My Morning "Yodo": You probably know that the word "cafe" means coffee in Spanish, but why not order your morning joe like a local? It literally means "iodine" in Spanish, but "yodo" is used to refer to the equally dark coffee. On the morning after a big night out, feel free to lament, "Tengo una goma." When Will This "Goma" End?: While it also means "glue," a "goma" is more likely to mean a hangover in Costa Rica. Įverything is Totally " Tuanis": Looking for a cool way to say "cool?" How about tuanis ? Among the many theories of the word's origin, some say it comes from the English phrase "too nice." Spanish Expressions to Pair With PartyingĪ Coupla Cold "Birras," Please: Yes, it's technically Italian, but Spanish speakers in Costa Rica often order up a few beers as "birras". Literally translating to "pure life," this handy phrase embodies the relaxed Costa Rican lifestyle and is used as a greeting, to say goodbye, "thank you," "you're welcome" or just "great."Īll is Chill and "a Cachete": Much like "pura vida," Ticos express that something is beautiful, great or convey that all is well by saying "a cachete". Kick Back with "Pura Vida": You're sure to hear "pura vida" quite a few times in a variety of situations. Putting some spare change into local hands wouldn't hurt. It may seem dubious, but it’s quite normal. If you rent a car, you're bound to come across a guy who offers to watch the vehicle after you park. Watch Out for the "Guachiman": Derived from an English word and used across Latin America, the "guachiman" is exactly what it sounds like - a Watchy Man. "Aw mae! Mae, I just met this crazy mae." He's My "Mae": Like its English counterpart "dude," the word "mae" is best used around younger people and frequently dropped into just about any sentence. This comes from the Costa Rican custom of adding the suffix "tico" to words to indicate smallness. Talk Like a "Tico": A "Tico" is a Costa Rican man, while a "Tica" is a Costa Rican woman. From adventure trips and rainforest tours to atv riding, talk like a Tico when you visit Costa Rica with a few local Spanish phrases. The talk will last a little over an hour with questions and will be followed by a reception with the speakers. These colored marks confuse the digital gaze - just as butterflies’ spots confuse predators - and disrupt facial-recognition software, creating a new type of camouflage for the modern, digital world of privacy loss and online tracking.”Īnd on January 27, as part of the exhibit Living Proof: flora, fauna & fossil fuels, Natural Discourse is pleased to present an intimate talk and performance by David George Haskell, author of The Songs of Trees, and the artist Sasha Petrenko, whose Lessons from the Forest part III will be in the exhibit. “Bewilder,” Jenny Kendler, “ Visitors are given eyespot temporary tattoos and invited to pose for a portrait in front of the brilliantly colored pattern. Kevin Cooley’s ‘Smog House,” Natural Discourse “Digital Nature,” Los Angeles County Arboretum October 2016 Tobacco leaves are die-cut into a bilaterally symmetrical pattern and suspended in tiling square petri dishes that contain the nutrients necessary to promote new leaf growth.” “Growth Pattern,” by Allison Kudla - “ a living natural system takes on the form of a manufactured pattern. “Hollyhock with mayfly,” by Los Angeles artist James Griffith, tar and white oil on aluminum panel Participating artists this year include Sharon Beals, Kevin Cooley, Mia Feuer, James Griffith, Roger Hangarter, Jenny Kendler, Allison Kudla, Phillip Andrew Lewis, Denise Newman, Sasha Petrenko, Gail Wight and Nami Yamamoto. I do hope you get a chance to go.Ĭhanges in the amount of soot in the air as reflected by the plumage of songbirds, work by Shane DuBay and Carl FuldnerĪmong the featured artists are newcomers to Natural Discourse as well as some familiar names from past symposia. Provocative, enthralling, challenging, inspiring - there is just no other programming like it. Since its inception in 2012, Natural Discourse has continued to be an exciting forum for artists and scientists to share with us their investigations, ruminations, and obsessions about the natural world and our one-off, one-chance relationship with this spectacular, spinning home of ours. This month artist and garden designer Shirley Watts launches another installment in her ongoing symposia series Natural Discourse. ![]() “Living Proof flora, fauna & fossil fuels,” opens Saturday, January 13, 2018, 5-8 p.m. “Radiant Flux,” Nami Yamamoto, 2009, hand-made paper leaves, engineered for phosphorescence All of them sprinkle a variety of tempting features throughout, many of which are exclusive to their own app. They perform all four steps: organizing and browsing and auditioning sounds, editing metadata, and transferring clips to a sound editing app. Since these metadata apps perform so diversely, I’ve divided them by these steps: Most have a free demo version you can test. Each app description covers the broad strokes that are most important to helping editors and sound librarians use metadata. I’ll note the app’s highlights, its shortcomings, and how it stacks against the competition.Īnd a heads up before we get started. So, I’ll look at each app not in terms of the steps it lacks, but how well it succeeds at the steps it attempts. Many are “media management” apps, or what I call “sound browsing apps.” They are meant to organize sound libraries, and aren’t interested in meddling with metadata. ![]() ![]() I’ve included software like this to cover as many apps that address metadata in any way. Many of these apps don’t pretend to offer the full suite of organizing, auditioning, transferring, and embedding metadata.įor instance, one app is primarily a DAW or sound editing app, with some metadata features. Some excel at one or two, and take a stab at the others. The premium apps manage three, and only a handful provide all four. So, it’s important to note that many of the apps listed here perform one of these tasks, or two. In fact, each task is so involved that any of them would easily absorb an app programmer’s entire focus. In the last article we looked at what metadata apps (or sound browsing apps) are, and what they do.
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